APPLEYARD, B. 2019. The Stain of War. Sunday Times Magazine, 27 January 2019.
Artfix Daily. 2017. Becoming Forest by Helen Sear, New York: Klompching Gallery.
BADGER, Gerry, Meetings with Unremarkable Trees – The Photography of Paul Hart
BADGER, G. 2010. The Pleasures of Good Photographs. New York: Aperture.
BARKER, E. (ed). 1999. Contemporary Cultures of Display in Art and its Histories. London: Yale University Press in association with The Open University.
BARTHES, R. 1977. Image, Music, Text. London: Fontana Press.
BARTHES, R. 1980. Camera Lucida. London: Vintage.
BAUDRILLARD, J. 1994. Simulacra and Simulation. Ann Arbor: University of Michigan Press.
BAZIN, A. 1967. The Ontology of the Photographic Image in Trachtenberg, A. 1980. Classic Essays on Photography. New Haven: Leete’s Island Books.
BERGER, John and G. DYER (ed). 2013. Understanding a Photograph. London: Penguin Classics.
BOHMAN, James, “Critical Theory”, The Stanford Encyclopedia of Philosophy (Fall 2016 Edition), Edward N. Zalta (ed.), URL = <https://plato.stanford.edu/archives/fall2016/entries/critical-theory/>.
BRANDT, N. 2016. Dust to Dust: Animals Lost in an African Apocalypse. The Guardian, 5 April 2016BRIGHT, D. 1985. Of Mother Nature and Marlboro Men – An Inquiry into the Cultural Meaning of Landscape Photography. in Exposure 23:1 (1985).
CNN interview (2015), Photographer describes ‘scream’ of migrant boy’s silent body: https://edition.cnn.com/2015/09/03/world/dead-migrant-boy-beach-photographer-nilufer-demir/index.html
CUMMING, L. 2013. Sebastiao Salgado: Genesis – review. Natural History Museum, London. The Guardian, 14 April 2013.
DARWENT, C. 2007. Daniel Gustav Cramer, https://goo.gl/4NI8sB
DURDEN, M. (ed.) 2013 Fifty Key Writers on Photography, Oxon: Routledge.
EDWARDS, E. 1992. Anthropology and Photography. London: Royal Anthropological Institute.
ELKINS, J. 2007. Photography Theory. London: Routledge.
FEINSTEIN, A. 2017. Humanity, in Focus. Canada,: The Globe and Mail.
https://www.theglobeandmail.com/news/national/humanitys-spirit-and-cruelty-in-focus/article26454376/
GALLERIA CARLA SOZZANI (2007) Trilogy: Press Release
GARRETT, W E. 1988. Within the Yellow Border in National Geographic. Vol 174, No 3 (September 1988).
https://www.youtube.com/watch?v=bD2QXK3ShbA
GLUECK, G. 2006. Art in Review; ‘Northern Light’. The New York Times (24 March 2008).
GRUNDBERG, A. 1988. Photography View; A Quintessentially American View of the World. New York Times, 18 September 1988.
GRUNDBERG, A. 1988. Decoding National Geographic, New York Times, 18 September 1988.
National Geographic – Odyssey: The Art of Photography, You Tube
GRUNDBERG, A. 1999. Crisis of the Real. New York: Aperture.
HARMAN, Graham. 2018. Object-Oriented Ontology: A New Theory of Everything. London: Penguin.
HART, Paul, website https://www.paulhartphotography.com/
HODGSON, F. 2012. Pretty Well done. Financial Times: Visual Arts (6 June 2012).
HOLBORN, M. 2001. Don McCullin. London: Jonathan Cape.
HOOPER, M (ed) The Enduring Eye: The Antarctic Legacy of Sir Ernest Shackleton and Frank Hurley, Brentford, Middlesex: Syon Publishing.
HORNE, R. 2012. Holly Andres, Farmer of Photographs. in The Wall Street Journal (3 February 2012).
HURN, David, and Bill JAY. 1997. On Being a Photographer – A Practical Guide. Anacortes, WA: LensWork Publishing.
JACOBSON, C. 2018. Don McCullin talks war and peace. British Journal of Photography.
https://www.bjp-online.com/2018/11/don-mccullin-talks-war-and-peace/
JONES, J. 2014. The $6.5m canyon: it’s the most expensive photograph ever – but it’s like a hackneyed poster in a posh hotel. The Guardian, 10 December 2014.
LA GRANGE, Ashley. 2005. Basic Critical Theory for Photographers. Abingdon: Focal Press.
LEVI STRAUSS, D. 2003. Between the Eyes: Essays on Photography & Politics. New York: Aperture.
LINFIELD, S. 2010. The Cruel Radiance – Photography and Political Violence. Chicago: The University of Chicago Press.
LINFIELD, Susie. 2010. Interviews, Susie Linfield talks about her new book, ArtForum, 1 November 2010.MANOVITCH, L. 2016. Instagram and the Contemporary Image.
McDONALD, M. 2005. When People’s Suffering is portrayed as Art. Harvard: Nieman Report, 15 March 2005.
https://niemanreports.org/articles/when-peoples-suffering-is-portrayed-as-art/
MEAHGER, E. 2002. Will the Real Cindy Sherman Please Stand Up in Women: A Cultural Review. Vol 13, No 1.
MEILLASSOUX, Quentin. 2008. After Finitude: An Essay on the Necessity of Contingency. London: Bloomsbury.
MEILLASSOUX, Quentin. 2014. Time Without Becoming. Mimesis International.
Correlationism – An Extract from The Meillassoux Dictionary. Edinburgh: Edinburgh University Press
MITCHELL, W T. 1995. ‘Representation’ in Lentricia, F and McLAUGHLIN T. (eds) 1995. Critical Terms for Literary History. Chicago: University of Chicago Press.
NAGGAR, C. 2013. Here Far Away: The Visual Fables of Pentti Sammallahti. Time: Lightbox (19 March 2013).
NAIR, P. 2011. A Different Light – The Photography of Sebastiao Salgado London: Duke University Press.
NIETZSCHE, F (1874) On the Uses and Disadvantages of History for Life. Cambridge: Cambridge University Press
O’HAGAN, Sean. 2010. Photography so good it hurts. The Guardian, 16 November 2010.
O’HAGAN, S. 2014. Bewitched by Blackness: Photographing the Desolate Beauty of the Canaries. The Guardian, 26September 2014.
O’HAGAN, S. 2014. Photography is art and always will be. The Guardian, 11 December 2014.
ORTEGA Y GASSET, Jose. 1925. The Dehumanization of Art and Ideas about the Novel. Princeton: Princeton University Press.
ORTEGA Y GASSET. Jose. 1962. Man and Crisis, London: Allen & Unwin.
PARISI, Chiara. 2010. Interview with Daniel Cramer in Klat Magazine (No.4, October 2010) [WWW] https://goo.gl/swXJJd
PARISI, C. 2010. Interview with Daniel Gustav Cramer, in Klat Magazine (No 4, October 2010).
PATTERSON, Freeman. 1977. Photography for the Joy of It. Toronto: Van Nostrand Reinhold Ltd.
PRICE, Alison. 2019. Critical Review of Practice. MA Photography, Falmouth University.
PRICE, M. 1994. The Photograph, A Strange Confined Space. California: Stanford University Press.
RAWLINSON, Mark. 2010. ‘Waste Dominion’, ‘White Warfare’, and Antarctic Modernism’, in Tate Papers, no.14, Autumn 2010.
https://www.tate.org.uk/research/publications/tate-papers/14/waste-dominion-white-warfare-and-antarctic-modernism
SALGADO, Sebastiao with Isabelle FRANCQ. 2014. From my Land to the Planet. Rome: Contrasto.
SHEPHERD, N. 1977. The Living Mountain. Edinburgh: Canongate Books.
SISCHY, I. 1991. Good Intentions in The New Yorker. 9 September 1991.
SMITH P. and C Lefley. 2016. Rethinking Photography Histories, Theories and Education, New York: Routledge.
SONTAG, S. 1977. On Photography. London: Penguin.
SONTAG, S. 2001. Witnessing, in Don McCullin. London: Jonathan Cape.
SONTAG, Susan. 2002. Looking at war. In: The New Yorker, December 9, 2002.
SOUDERS, Paul. 2018. Arctic Solitaire. Seattle, WA: Mountaineer Books.
STREET ALINDER, M. 2014. Ansel Adams – A Biography, New York: Bloomsbury.
SNYDER J, and N ALLEN. 1975. Photography, Vision and Representation, in Critical Enquiry, Autumn 1975.
SZARKOWSKI, John. 1966. The Photographer’s Eye. New York: Museum of Modern Art.
SZARKOWSKI, J. 1978. Mirrors and Windows: American Photography since 1960, New York: The Museum of Modern Art.
SZARKOWSKI, J. 1978. Mirrors and Windows: American Photography since 1960. [Press Release] (accessed at MOMA 21.4.16) – http://www.moma.org/momaorg/shared/pdfs/docs/press_archives/5624/releases/MOMA_1978_0060_56.pdf?2010
TAL, Guy. 2018. Guy Tal Photography Journal – on photography art, wildness and wilderness.
https://guytal.com/wordpress/2018/02/17/the-healing-landscape/
TateShots (2011), Don McCullin: “I hate being know as a war photographer”
WALL Jeff, (2015), Pictures Like Poems, YouTube videoUwhttps://www.youtube.com/watch?v=HkVSEVlqY
WATERMAN, J. 2018. Art Wolfe’s Intimate Landscapes. Explora.
https://www.bhphotovideo.com/explora/photography/features/art-wolfes-intimate-landscapes
WELLS, Liz. 1996. Photography A Critical Introduction. Abingdon: Routledge.
WILLIAMS, G. 2014. How to Write about Contemporary Art. London: Thames & Hudson.
WOLFE, Art and M. HILL. 2013. The New Art of Photographing Nature. New York: Amphoto Books.
WOLFE, Art and R SHEPPARD. 2013. The Art of the Photograph, New York: Amphoto Books.
WOLFE, Art. 2015. Art Wolfe’s Travels to the Edge, South Georgia Island.
